Showing posts with label american fiction. Show all posts
Showing posts with label american fiction. Show all posts

Friday, March 12, 2010

Abusing Jesus' Divinity


Looking back at the concerns surrounding the person of Christ in the third and fourth centuries, one notices that the debates are oddly slanted in one direction. Most career heretics, such as Nestorius and Apollinaris seem to be fine with the divinity of Christ, but his full humanity was questionable. For some reason spirituality was tenable, but physicality put real a burr in their saddle. How could God– omnipotent, sovereign, and holy– mingle with the messy materiality of stuff?

I am of course, being very simplistic. It wasn't that they hated the idea of the Incarnation, but that the Incarnation is by definition a very hard thing to get one's second-order skull around. But there is still this curious trend. The divinity of Christ was taken for granted seemingly by the majority, orthodox and unorthodox alike, while His humanity was the main point of contention.

Zoom ahead to the enlightenment and one notices that the trend is reversed. Suddenly the humanity of Christ is found to be very palatable while His divinity is untenable. It became easier to conceive of Jesus as a good moral teacher than it was to believe he was God. Without going into the reasons for why Schleiermacher's offspring have such a problem with this, I will merely suggest that the locus of contemporary theology is centered on this problem, and perhaps increasingly in Evangelical circles.

How? Let's take ecology for example. The lack of Christology has been my only beef with Wendell Berry. Don't get me wrong, I love Berry and will recommend him and his organic tobacco til' the unclouded Tennessee sun goes down, but Christ is all but absent in his ecology. It is for this reason that, in spite of all of his wonderful insight that his view ultimately appears unrealistic and untenable (and his fiction a bit soapy). It can contrast a redeemed world with the fallen one, but it cannot tell us how to get from one to the other. It is in the bridge of Christ that the fallen and the redeemed are linked and the fallen is given any real hope. Douglas Moo, however, even in spite of the relatively small writing he has produced so far, finds the locus for ecology more or less in the Shema of love for God ad love for neighbor, both of which draw in a robust Christology and consequently a realistic means of caring for the earth.

Ecology is just one example, but I have begun to notice this in Feminist Theology as well and I am sure that it would be easy to find other examples. All of this goes to show that Karl Rahner was right when he said that most Christians today live as functional monotheists to whom the Trinity in all of its distinctive unity is of no consequence. So much is at stake when we neglect the daunting task of developing our theology within the framework of the persons of the Godhead, and since Christ is the most visible member, he is the easiest place to see this happen. It is imperative to insist on a robust Christology.

Saturday, August 9, 2008

‘Home’ and the Imperishable Inheritance of Grace

"Maybe this Robert will come back someday…What of Jack will there be in him?”


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I used the word ‘imperishable’ here in this title because it is the word that most embodies the splendor and incorruptible eternality of our inheritance in Christ’s standing and also the rewards that are made possible by Christ’s great repute. However, for this novel it would have been just as fair of me to use the word “irresistible” and to good effect. That is the question here isn’t it? Can an inheritance of grace be resisted?


It would be true to say that this novel is a work that takes its aim at a profligate son, a prodigal. But where does Christ’s story of the prodigal son get its start? The story that Christ read as a young man, the story that set down roots in His heart is the story of Isaac, the son of Abraham, the father of Jacob and of Esau.


This novel “Home” is a story about inheritance, and how the claim inheritance makes on its benefactor can survive and be carried out in weakness. In the same way, the promises of God were carried down through the life of Jacob, the deceiver.


“Jacob was a quite man, dwelling in tents,” -Genesis 25:27b


"Jack had run a length of clothesline from beam to beam and thrown a tarp over it to make a low tent in the angle of the floor and roof…a soul that had improvised this crude tabernacle to stand in the place of other shelter…” –Marilynne Robinson, ‘Home’


Just as the Reverend Boughton would often pull Jack in close to get a good look at him, so did Isaac reach out to touch his sons. When Isaac's vision became “dim” as scripture puts it, he carried out his blessing by touching his son and, in that way, confirming on him his grace. So many times through out the novel Reverend Boughton longs to see Jack but can’t. “Is Jack here? I hope you find him, because it seems like I never even get a clear look at him,” He is the only child who truly had the Reverend's inheritance, and at the same time, the only child whom the Reverend could never completely see in order to bestow his blessing. This is why the reverend has no peace, because, although he has many children, he has not given his blessing to the one he intended to have it.


At the end of the novel we learn that the inheritance was given, and received. The young Robert receives the framed picture of the river and, like a fissure in a mountain, the line of grace runs back up through the entire novel, introducing and superimposing itself on every scene that felt deprived of it. Although the salvation moment happens off stage, it is made incarnate here in Jack’s son. Just as Jacob wrestled with God and was full of deceit, his true inheritance and election was made certain because he fathered the nations, and this is why the Lord is wonderful.


The lord is wonderful because even after the metal is cast, and the form is cooled, and there seems to be no hope, only an empty expectation to receive back from the mold that shape that was always cast into it, out comes something full of redemption and grace.